Part 95 - The Sodomite Gateway - Singin' in the Rain: Pharmakeia

I'm picking up right where I left off in the previous post, but I'll begin by repeating a necessary caveat.

If you're a victim of ritual abuse who is still being delivered or you're easily offended by mature subjects and descriptive language, please move on. If you're new to this series, welcome! You may want to start at the beginning to get the foundation for what's here. Series Links: The Sodomite Gateway

The clip of the featured scene: "Singin' in the Rain" 1952 ~ Gene Kelly. If you have two monitors on your system, you may find it helpful to open the video in one while you read this post in the other.



This title song is legendary, widely accepted as the most famous dance routine in American film. Apparently, this was Gene Kelly's 13th musical motion picture, a fact worth noting because of the signal number. As you realize the level of attention to detail that characterizes this scene, despite industry efforts to dismiss it as almost an afterthought to the film's production, it should become obvious that every gesture was carefully choreographed, and that every placement of the camera and element of set design was just as carefully planned to create a subtle Occult ritual. When you give further consideration to how the name Hollywood makes allusion to a magick wand, it should occur to you that the region's Theosophical Society, Masonic Lodges, with every other Occult center of activity, including that of the porn industry, are one in purpose. Pharmakeia. Nearby Los Angeles is the City of Angels. Names are not always devoid of meaning.

I'll start at about 1:50 into the clip, where the character, Don, sings the following verse. He's strutting over to a setting where ancient Egyptian sex magick is demonstrated in a way that leaves little to the imagination!

I walk down the lane
With a happy refrain
just singin'
singin' in the rain

There's much more ritual activity in the lead up to this scene, more subtle things that are better presented after the more obvious bits, so I'll return to it later.

This Egyptian sex magick routine is staged in front of a pharmacy. That generic signage appears on the awning. Brass plaques state: Drug Store. What's unfolding here is pharmakeia, the sorcery of Babylon the Great. That describes the supernaturalism on the corporate scale, but what's unfolding in this scene also implies SRA programming, where drugs are typically administered during ritual abuse and sodomy to encourage dissociation.

Don does a ritual dance with the closed umbrella that rather comically features it as his erect phallus, just in case we failed to identify it earlier. He's about to use it to interact with the window display. These next two images show Don using the umbrella to suggest sodomizing the girl. This illustrates what he means by dancin' in the rain.

A smidgen of plausible deniability is lent by the use of the handle end and by the gesture, a misdirection because Don pretends to play the umbrella as a ukulele or guitar. That works perfectly to cover the real intent, until it doesn't! (Momentary flirtations with the association of the umbrella and her bottom also occur at the 2:23 position)

The expressive posture of the girl speaks volumes. It's not smoking Mahout brand cigarettes that makes her that way! That large red bow on her head is a symbol of the bloody ritual that ties her together with her sodomizer (who also wears a tie, around his neck) like fecal mortar cements those ubiquitous bricks, and there's an assumed blood oath on her head not to tell. It looks like she has horns on her head because she's been fiery red devil demonized. The bow is also suggesting cat ears on this blonde's head, suggesting Beta or sex kitten programming. That's what Marilyn Monroe exemplified, who was at just the time of this movie becoming very popular. The red and white banded blouse signals the Adam-red and divine-white condition of being made like a god, supernaturally enhanced.

The gestures that bracket the sodomy ritual support that symbolism. As he approaches her, Don removes his hat, bowing and extending it out to the lady. While pretending to grant her the momentary honor of being the symbolic object of his romantic love for Kathy, he uses that symbol of the anus that covers the head of the sodomizing phallus to signal us that the girl is about to become the hat. His bare head is momentarily superimposed over the phallic obelisk because they are one in symbolic meaning. Then he illustrates just what he means with the umbrella gesture. Don follows that with a little dance where, right in front of her, he holds the umbrella in front of his crotch as it makes the form of a triangle. This suggests the pubic patch of a woman, which points downward. However, interpreted according to the primary theme, it's the anal triangle. This is brilliant choreography. Evil genius.

A similar hat shtick was played in the movie Groundhog Day, when Phil and Rita are sitting on a bed, pitching cards into a hat. Phil advises Rita to “be the hat.” They are in bed together, a customary setting for sexual intercourse. The hat where cards are being pitched represents the anus, the catcher of the sodomite couple. Playing cards represents a supernaturalism, with a deck of 52 representing the Pagan calendar. Four seasons of thirteen weeks each provide an important structure for the worship of the ancient gods in the witch's celebration of the circle of life. Evil genius. The Devil and his agents are wicked clever.

OK. While I'm on the theme of hat symbol sodomy sex magick, here's another example. If you watched the Bullwinkle and Rocky cartoons on TV you may recall the old routine they used to do to close out the show. Bullwinkle the moose played a magician, who would comically fail trying to perform the famous stage trick. “Watch me pull a rabbit out of my hat.” He proceeds to pull some animal out, but never a rabbit. Here's a clip: Bullwinkle's hat gag



Just like how Daffy Duck demonstrates the trunk-as-rabbit hole metaphor for us with the aid of his gun-as-phallus and his own DA, Bullwinkle and every other magician who has attempted to pull a rabbit out of a hat have presented us with the hat-as-rabbit hole metaphor. When Bullwinkle tears off his sleeve, he strips that member naked before thrusting it into the rabbit hole. Right. It's a magic trick that is a genuine magickal ritual, a sodomite sex magick ritual. Bullwinkle the moose is a Occultist. The moose is horned, and the horned god of magick is Cernunnos. Coincidence? Guess again.

Mr Moose on Captain Kangaroo (from the land “down under”) routinely played a gag where he rained white ping pong balls on CK's head (c=3 and k=11 ~ 33). More coincidence? Really? This gag always had CK whining in the rain. See Part 72.

Now, let's consider that richly symbolic setting of the drug store window display, the backdrop for ancient Egyptian sex magick.

Nothing says “sphincter” quite as loudly as setting her inside a ring of white rays flanked by two Sphinx. She's on her knees wearing very short black shorts. The part of the scene that appears most bright places the attention on her bottom, the subject of illumination. Her left arm is presenting us with a triangle as she touches her head, an anal triangle and Horus Eye illumination gesture.

You may recall this image of Rihanna doing the same during another umbrella sodomy love fest, her Umbrella (Orange version) music video. She, too, was famously singin' and dancin' in the rain.

So, clearly, the Mahout girl is ready for love. Her lover has his umbrella-phallus at the ready.

Hey, isn't that a pair of obelisks? Don pauses right in front of one of them. That's a phallus of Osiris, and such an object is typically mated quite literally to a dome representing the fertile womb of Isis. Where's the dome?

The goddess of magick kneels upon an altar of witchcraft, inside the circle that, once cast by this Pagan high priestess, is actually a magickal sphere that has an enclosing dome both above and below the intersection of this plane at the floor. The cigarette and holder are her ritual knife, the athame. The two sphinx represent two of the four Guardians that would be invoked for protection and aid during the ceremony, and the bow on her head suggests the horned god invoked, Cernunnos.

The object of the sex magick is to bring forth Horus, and the HO under the magick circle that is followed by the U alludes to the successful result of this ritual. The string AHO under the ring might be filled in as suggested - A _ _ H O _ _, the A-HO.

You might also take that as “HO” a whore. A Mahout, in the Indian subcontinent and Southeast Asia, is a person who works with and rides an elephant. The Mahout woman rides a beast, and this identifies her as the great “HO” seen sitting on the scarlet beast in Revelation 17, Babylon The Great, The Mother Of Harlots And Abominations Of The Earth.

This woman modeled to us by the Mahout high priestess is also referred to as the great city.

And the woman which thou sawest is that great city, which reigneth over the kings of the earth. ~ Revelation 17:18

And, so it is that we see Miss Mahout set against what must be seen as buildings with windows. She is giant, the great “HO” and city. Clouds appear in the background to complete the effect.

A sodomite version of the beast being ridden is presented here in the drug store display in duplicate. The fabric is draped over each obelisk in such a way as to suggest the form of the buttocks, penetrated by the phallus. The ornate egg-like globes hang near to the business ends, which might be there for lighting, illuminating.

The promotion at this drug store is an inducement to “Smoke Mahout.” My buddy Aaron links this to the hookah smoking caterpillar - butterfly in Alice in Wonderland, who confronts Alice so dramatically with the question, “Who are You,” as he blows smoke at her. In Disney's version (1951, of similar vintage to this film), the clouds of billowing smoke formed the intestines through which Alice was discharged on her way out of Wonderland.

This haze producing and eye-mazing is part of the pharmakeia leveraged by SRA handlers in the traumatizing and subsequent programming of their mind-controlled slaves. This programming of the multiple identities creates a confusion of identity that cannot be readily resolved, by intent, because they are legion, many, and designed to resist attempts to resolve them.

The symbols of programming structures appear throughout this clip. In this drug store setting, what looks like windows each represent an alter identity. It's like the doll house metaphor, and a hall with doors to rooms. I've described this as programming structures symbolized by panes and panels, and those you see below the display window are distinct examples. Don is programming with ritual sodomy and drugs, specifically creating a Beta alter, as I mentioned earlier.

There's plenty more here, and I'll continue in the next post, Lord willing.